Friday, November 22, 2019
I dreamed I suddenly remembered I had to be at a poetry class and I was late.
I threw on some clothes – an inappropriate mix. Red, black and white poodle skirt (remember those?) – a ruffled white blouse (I would never wear). Gold leather boots. Black beret. I stuffed a random notebook into my green shoulder bag and ran for the subway. (I always notice colors.)
When I got to the college, I went through a turnstile and then up to the second floor looking for the classroom. I saw a doorway that looked familiar from the day before when I had showed up - a day early but on time. A number 208 was above the door, which I thought was right.
(I wished for the hundredth time that I was an absent-minded professor, because that's the way my mind works.)
The professor had already started the explanation of the assignment. I squeezed into a seat and saw that everyone was getting out their notebooks, and I did, too.
The assignment was to write a poem in a particular style that I’d never heard of before. It was called a name I can’t now remember (penerella, veniera, pavia?). And I whispered to the guy next to me, “What was that?” and he mumbled the name just as vaguely.
The professor heard me and came over and nodded to me. "What?"
I said, “I’m not familiar this poetic style. Did you say it was ‘paean’ or something?”
And he said, “Paean. Can you spell that?”
“Yes,” I said, “but what’s the poetic style called?”
He sort of mumbled the answer (again!) and then continued with his presentation to the class. He read an example of this type of poem, and it was a brisk description of an encounter with a woman on the street, with a vivid image of a green lamppost that hadn’t yet been lit and a gray sky. And then the narrator revealed that he was forcing himself on the woman.
And the professor recited, “We had sex! We had sex! And then it was fine. It was right, and we went our separate ways.” It was clear that the poet made excuses for what he had done to the woman, and that the style of poetry exposed a moral issue.
It reminded me of an incident in my youth when I had just smoked a joint with a friend in St. Louis. (He was a Taurus, but not the Taurus.) And I had one of those “Aha” moments that sometimes happens on grass. I said, “I just realized a truth.” And my friend said, “A moral truth?” And I wondered, at the time, if all my truths were moral truths, and I was dismayed by the idea.
But now the professor has asked us to start writing, and I had a keen desire to write, and I knew what poem to write for the assignment. I opened my notebook but I couldn’t seem to find an empty page. I flipped through the book and realized it was the kind of notebook that non-writers give to writers. It had decorations on every page, and most of the decorations were woven ropes of twine that made narrow margins down two sides of every page. There was no open space.
After trying to write inside those narrow margins, I gave up and started writing on the blank cardboard back of the notebook.
“I’m on the subway, harassed by a beggar – and feeling so torn about it – and sympathetic. But as always, broke (and we’re all so preoccupied with being broke these days), and then counting out the right change for the bus before leaving the subway so I wouldn’t have to open my purse on the street and nobody would rob me. And this was so wrong somehow, but I hadn't a way to fix it.
And then I saw the sky.
Oh, the sky.”
That’s when I woke up, and I lay in bed trying to keep writing the poem, and looking for another blank page to write on, and wondering if possibly I could remember the poem later. And of course, I only got a bit of it.
I don’t know what prompted this dream. A desire to write a poem, for a start. And as my poems are usually the result of days and weeks of psychological imprints, I’m not immune to the effects of what we call our shared reality.
So, I have, among other things –
aside from the sunlight making patterns on the floor – and the feel of the crisp air upon my cheeks on my morning hike – and aside from the first taste of hot coffee with cinnamon …
I have the accumulated perception crowding in my mind - like sardines flopping on the deck - like autumn leaves continually gathering on the ground, no matter how many times you sweep – like wineglasses in the sink from the night before –
The mental detritus from listening to the impeachment hearings and the continual wrangling and interpretation afterward, the commentary that seems to want to possess the truth (the moral truth) –
And I’m left with the impression of those people testifying – agile goldfish swimming in and out of the camera's eye, navigating through political seaweed - their light forms so stark against the dark water, like visitors from another world. (Not our world, surely.)
And what poem could possibly do justice to that?
Tuesday, October 15, 2019
Light on leaves
Golden – gold on golden
On the café patio
The sun falls on my sweater
My near-white hair
The plaid shirt of the guy
In front of me
With his latte
The sky is a blessing
The blue we inherit
After three cloudy days
I want a crow
To land in front of me
Harbinger of doom or magic
Fingerprint on the world
The one we cohabit
Not the bricks
Or wooden tables
Not the sidewalks
Or the stores
I want this crow to cry out
Here! Now! Awake! Fly!
So I can roll my tongue back
Caw! Caw! Caw!
And for once
We’ll be in pure harmony
Monday, July 1, 2019
On a molecular level,
The cellular memory holds true
All effort expended
To find a time and place
In which to dwell,
That essential consciousness,
These arbitrary labels
Like hens and butterflies and humans
Into a symphony and stream
Filled with memory,
By such epochal
Through those tunnels
Brushing cobwebs aside
From the “ancient” to
And listening to the
One is found.
*** This photo is from my recent visit to Oregon and the poem was inspired by the peace and quiet of my friend's beautiful farm.